Easy steps to draw a unique still life

Easy steps to draw a unique still life. Focusing on still life for a while is a great way to improve your drawing skills. But how to get started, and what should you pay attention to? As I explained in my stake on How a Still Life Can Develop Your lotus Drawing Talents, drawing still life, with its dull things, is an excellent way to discover the essential fundamentals of drawing and painting, such as shading, reflections. And composition. If you are a beginner and start to learn basic shading and recognize your dark, medium, and light tones, you can familiarize yourself with simple objects, such as cups or chairs. Once you understand all the basic principles, you can move on to more complex shapes. In general, I find it best to start drawing with the “big picture” in mind and focus on the correct placement of objects on the page and the overall play of light and shadow. Only once you are satisfied should you go into more detail and work on each entity separately.

Choose your theme

If you are not clear on what is considered a still life, let me help you here. Still, life art includes any non-living or dead, natural or artificial object. It means it doesn’t have to be your mandatory fruit plate at all. If apples and grapes aren’t your things, find something else that catches your eye. You can choose from musical instruments, shoes, houseplants, your collection of buttons, or the grocery shelf.

And we’re not just talking about items inside your home. You can find inspiration outside like your watering can or garden fence with loose grass peeking out. Or you can take a city trip and design arrangements in shop windows (Selfridges would be perfect for that). The only important thing is that you pick something to work with that you think is worth seeing for any time. Remember, if you find your topic tedious, that’s all the viewer will see.

Organize and compose

Composition is not just a musical theme. You will notice that the artist carefully selected and arranged each famous still life, even if it seems like a random sequence of things. There is much more to composing still lifes than just choosing things to draw. You will need to consider the layout, cropping, angles, colors, lighting, etc. And all compositional themes will depend on one thing: the message or feeling you want to convey to your viewers. You can think a lot about this or follow your instincts. It’s entirely up to you. Either way, it’s something you’ll want to consider as soon as possible, definitely before you start drawing.

Drawing something relaxing and fun will look very different from trying to represent feelings like anxiety or rage. Some victims and their system will give the observer hints about their owner’s personality, profession, or moods, such as a pair of boots or high heels. While the choice of items can have a significant impact, it’s by no means the only factor. Light is necessary to think, very since you often have a lot of effects on still life.

Warm your eyes and hands

Once you’ve found the objects to draw, sorted them, and figured out the whole composition, you can, of course, go ahead and start drawing. Or you can do what the pros do and take a few more minutes. Take a moment to study your topic. See it for real. Try to see its proportions, perspective, angles, and the relationship of one object to another. Notice the materials, the textures, where the shadows fall, and where the light reflects off a surface. Of course, these are all things you’ll notice once you draw, but trust me, it’s a lot easier if you know the subject well before sketching the first few lines. You’ll be able to split the page better, add shading correctly, and draw smoothly without taking long pauses and interrupting to study the next part of your topic. And you can plan some details from scratch.

Divide the page

When you’re able to draw your new classic, the best way is to split the page first to get the overall aspect ratio on the paper. The easiest way to do this right, I think, is to imagine that all of your items are inside invisible boxes. So when you have that picture clearly in your mind, draw the squares on the paper. Use excellent lines, as you’ll want to erase most of them later. If you have many different items, it can be helpful to start with just one, perhaps the largest or most prominent. When you have it in the right place on the page and the correct size, draw all the other “squares” about it.

Light and darkness

Now is the time to give your objects more shape with some shading. For now, we’ll only deal with where the most noticeable shadows are, not subtle differences in intensity. So, please look at your subject and find the most noticeable shadows, then draw them on the paper in whatever style you have chosen to shade (shaded, smudged, etc.). I find it easier to draw them all in a medium tone. For now, maybe some parts are a little more vital if they are particularly dark. Don’t forget your background either. If it’s pretty dark, now is an excellent time to start.

Go into the details

This last section is the one that will take the longest, as we will now go into all the details. First, we recommend that you continue working on the basic shapes of your object, also showed in my post How to Build a Drawing or Art in Easy Steps. If the lines are still not correct, correct them. Then you can adapt the base shading you did in the previous step, add more subtle shadows, correct the intensity of existing ones, and smooth the edges between shades.

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